“One of the best thing that has happened to Congolese music, taken hostage by men for ages” - Moses Djinko
— Life Magazine
New Album | 15 April 2021
Mopepe Mama, Syssi Mananga's New Album
My mom is Congolese. My dad is Belgian. With a cultural identity split between Africa and Europe, my music is like the wind (mopepe in Lingala) : cross-bordered and fluid. It can’t be caged in or boxed in a single genre. Reflecting my multicultural heritage, my musical signature is a fusion of styles, at the crossroads of Kongo rhythms, folk, jazz and pop. It is said of me that I have a voice that is powerful and captivating which “carries away everything in its path”, like the wind... But mopepe also means the spirit or the soul in Lingala. That spirituality, that connection towards something “beyond” I evoke it in several tracks of the album.
Like the wind, I am a cross-border woman with a mixed heritage, in a mixed relationship, with friends from all over the world. Like the wind, the sky is my limit, I aim for the moon and I am driven by my dreams and ideals. Like the wind, I am natural, and I try to lead a life away from artificial layers and filters. In eight years, since the release of my first album “Retour aux Sources”, one of my most cherished dreams came true and I’ve become the Mama of four adorable children for whom my love is as untamable and embracing as the wind…
"Mopepe Mama” is me, Syssi Mananga. With this album I invite you to share my personal journey of love, forgiveness, perseverance, spirituality, and motherhood.
“Mopepe Mama” is an opus of 12 tracks, all infused with my acoustic and blended musical savor. For this album, I collaborated with virtuoso musicians from the World Music and international scenes, notably Japanese trumpeter Shunzo Ohno (Grammy Award Winner), Brazilian guitarist Swami Jr (Latin Grammy Award Winner), Congolese guitarist Chris Bakalanga (Freshlyground), American kora player Kane Mathis (Earshot Jazz "Album of The Year Award”), South African bassist Shaun Johannes, Ugandan rapper Keya Nemesis (twice MTV Base Music Awards Nominee) and Swiss flutist Sandro Friedrich (soundtrack from the movie "Lord of the Rings"). The album is mixed in Cape Town by percussionist and arranger Ronan M. Skillen.
Awards & Recognitions
- 2020 Semi-finalist International Songwriting Contest
- 2019 Winner Beyond Music Project
- 2017 Winner Beat Street Award
- 2017 AFRIMMA Nominee (Best Central Africa Female Artist)
- Tam Tam d'Or de la Décennie (Meilleure Chanson Métisse)
- 2016 Kora Award Nominee (Best Central Africa Female Artist
- 2016 AFRIMA Nominee (Best Central Africa Female Artist)
- 2014 Finalist Global Roskstar Contest (Africa)
- 2013 Winner Tam-Tam d'Or 2013 (Congo Music Award)
- 2012 Winner Contest Couleurs Talent de RFI 2012
Sample the Album Key Tracks 🎧
Music in the time of corona...
Given the COVID-19 context in 2020, it was impossible to meet in the studio to record. Mopepe Mama's production was therefore carried out remotely with musicians recording each at home in 10 different countries (Kenya, Uganda, Zimbabwe, South Africa, Ivory Coast, Brazil, Belgium, Denmark, Switzerland and the United States). Only a year before, I would have thought it was unrealistic to produce an album under these conditions. However, many musicians who contributed to Mopepe Mama are part of the Beyond Music Project (founded by Regula Curti and Tina Turner) which I won in 2019.
The Project set up an online platform for musicians from all around the world to virtually meet and collaborate. Each year, Beyond Music organises a musical competition asking artists on the platform to join forces to compose a song on a given theme. The Beyond Music experience taught us that cross-border creation is possible using the technology at our disposal (home-studio recordings, digital file transfers, video-conference meetings, etc.).
The core band composed of Chris Bakalanga (guitar), Shaun Joannes (bass, keys), and Kevin Gibson (drums) under the artistic direction of Ronan Skillen (percussion & production) was based in Cape Town and laid down the foundations of the tracks. The additional instruments (flute, bansuri, strings, kora, percussion, acoustic guitars, trumpet, and vocals) were layered on top of the core sound by each musician at their own place, somewhere in Africa, Europe and the Americas. All the files were then sent to Ronan who did his magic with the mix.
Granted, we were not able to jam and spontaneously feed off each other’s inspiration during live recording sessions. Yet, through a dynamic back-and-forth exchange of sound files, vocal notes, and Whassap messages, each of us, in the comfort of our respective homes — recording at a time of our choosing and liberated from the pressure of delivering something within the limited slot of the budgeted studio time — was able to offer world-class pieces of music, full of emotion, passion and love. I do hope you feel the bolingo* that infuses every single track of this album that brought together artists from 3 continents to share with you my very personal musical universe.
*bolingo means love in Lingala